Queen – Deep Cuts

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web-_Deep_CutsDeep Cuts is a brand new compilation of hand-picked gems from Queen’s first five albums. You won’t find Bohemian Rhapsody or Somebody To Love here; what you will find is 14 classic album highlights from the earliest phase of Queen’s career, chosen by the band members themselves and fully digitally remastered.

Thanks to Universal Music, we’ve got 10 copies of the CD to give away – for your chance to win, just enter your details below. Good luck!

 

Queen-inspired musical

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With a huge finale featuring We Will Rock You, We Are The Champions and Bohemian Rhapsody, Noel Sullivan can let himself soar.

 

“We played Denmark and we were playing arenas over there,” says the former Hear’say singer turned musical theatre specialist.

“And when you’ve got a finale like that and you are in a stadium, you really feel like you are a rock star!”

Now it’s Southampton’s turn to feel the music, with the Queen-inspired musical We Will Rock You pitching up at the Mayflower for a six-week stint until May 28.

If you’ve not seen it before, be prepared, Noel warns: “It’s loud! First and foremost, it’s loud, but it is a fantastic show.

“The synopsis is that it is set 300 years in the future when all live music has been banned. My character Galileo is a young dreamer guy. He has these visions and dreams of making melodies from the past.

“It’s a strange conceit, but you have got the incredible music of Queen to tie it all together, and to sing all those songs is just the stuff of dreams for me. The music of Queen is part of our British cultural heritage. It conjures all the magic of Live Aid, the magic of all those great videos that they did.

“And the music is beautifully suited to the theatre. When I saw it in London, the script for me didn’t work as well because it was playing to such a huge tourist-based audience. Once you go out in the provinces, then you can see that the comedy is really hitting home much more.”

The Ben Elton comedy.

“There is definitely a rhythm to the comedy. It’s got that British crudeness that we enjoy. It’s like The Young Ones humour.”

A great next step for Noel: “It’s all musical theatre for me now, therefore to be playing something like Galileo is just amazing for me, just because of the scale of the role. There is not a lot of musical theatre that vocally bigger than this.

“The biggest challenge is to execute the music because it is so well-known. You are not Freddie Mercury and nobody could be Freddie Mercury. You have just got to go out there and perform, and the great thing is that they are letting me do that. What I like about this is that they are not trying to make me into something that I am not.”

Tickets on www.mayflower.org.uk or 02380 711811.

 

Queen Bio Sheds New Light on Freddie Mercury's Rise to Fame and Tragic Death

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2011 looks to be a very busy year for Queen and there is a special reason behind it: the group is celebrating its 40th anniversary. So far, the festivities began with the reissue of the band's first five albums -- 'Queen,' 'Queen II,' 'Sheer Heart Attack,' 'A Night At the Opera' and 'A Day at the Races' (they will be rereleased in the US May 17); and a London exhibit, 'Stormtroopers in Stilettos,' which spotlighted Queen's early-to-mid-'70s period.

Another release in the midst of the anniversary is a new unofficial biography on the band, 'Is This the Real Life?: The Untold Story of Queen,' by Mark Blake. It covers the group's entire history from late singer Freddie Mercury's childhood, which included a boarding school experience in India, to current members Brian May and Roger Taylorreforming Queen with Bad Company singer Paul Rodgers. In between are stories of of the group's glory years that included the successes of 'Bohemian Rhapsody' and 'Another One Bites the Dust,' their extraordinary appearance at Live Aid and Mercury's death from AIDS in 1991.
"On paper, Queen probably didn't make sense," the London-based Blake tells Spinner. "They were such an odd collection of people, but there was an incredible chemistry there. If you took one of them out of the loop, it probably wouldn't have worked."
The book draws from past interviews that Blake conducted with May and Taylor for MOJO and Q magazines, as well as new conversations with acquaintances and former associates. Blake says his motivation for writing the book, which began four years ago, was the group's fascinating and unique story. "I wanted to explain more about where they came from, especially Freddie Mercury," he says. "He died young and never discussed his past in interviews. On top of that, nobody had really tackled the Queen story after Mercury's death."
One overlooked aspect of Queen's history was Mercury's first two years in England that Blake researched by interviewing graphic and commercial artists who knew Mercury in the '60s. "I discovered through them that Fred Bulsara (as he was known then) tried to put a group together in 1965/6, printing up posters and auditioning musicians at his college," Blake reveals. "He was very resourceful and ambitious even then, three or four years before supposedly joining his first band in the UK."
A few things surprised Blake while working on the book, such as how Mercury desperately wanted to be a rock star in the early years. "One of his college friends, Aubrey Malden, had a great little anecdote about Freddie hanging around the band Free(whose lead singer was Paul Rodgers), pestering them backstage," Blake says. "It was almost like 'mind over matter.' He wanted stardom so much it became a reality. For the later years, Peter Hince [Queen's former road associate] was pretty blunt about what a mess Queen got into in Mexico and South America on their 1981 tour. It was surprising to hear that story in full."
 

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